'I have an idea that most of the my stics in comics are generally older people, very austere, very proper, very middle class in a lot of ways. They are not at all functional on the street. It struck me that it might be interesting for once to do an almost blue-collar warlock. Somebody who was streetwise, working class, and from a different background than the standard run of comic book mystics. Constantine started to grow out of that.'
Alan Moore
It is this mix of realism and uncanny that attracted me to the character and world view and is an integral part to how Credo exists. So if you want an insight into this project I suggest you buy the trade paperbacks (Graphic Novels) and forget the film adaptation. My personal favourite is Garth Ennis's run as writer, culminating with 'Rakes at the Gates of Hell'
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